Peter Watson

Peter Watson

Peter Watson has written for the New York Times, the London Sunday Times, Observer, and the Spectator. In June 1997, he was appointed Research Associate at the McDonald Institute for Archaeological Research at the University of Cambridge. He is the author of fourteen books including Ideas, The Modern Mind, The Caravaggio Conspiracy, From Manet to Manhattan, Sotheby's: The Inside Story, The Medici Conspiracy, and most recently, The German Genius.

News

Peter Watson's THE GERMAN GENIUS was published by Harper Collins in July 2010.

Books

Ideas: A History of Thought and Invention, From Fire To Freud

Peter Watson's hugely ambitious and stimulating history of ideas from deep antiquity to the present day—from the invention of writing, mathematics, science, and philosophy to the rise of such concepts as the law, sacrifice, democracy, and the soul—offers an illuminated path to a greater understanding of our world and ourselves.

(Harper Perennial, September 2006)




The Medici Conspiracy: The Illicit Journey of Looted Antiquities--From Italy's Tomb Raiders to the World's Greatest Museums

The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli—tomb raiders— who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous exposés of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.

(Public Affairs, April 2006)




The German Genius: Europe's Third Renaissance, the Second Scientific Revolution, and the Twentieth Century

From the end of the Baroque age and the death of Bach in 1750 to the rise of Hitler in 1933, Germany was transformed from a poor relation among Western nations into a dominant intellectual and cultural force more influential than France, Britain, Italy, Holland, and the United States.  In the early decades of the twentieth century, German artists, writers, philosophers, scientists, and engineers were leading their freshly unified country to new and undreamed-of heights, and by 1933 they had won more Nobel prizes than anyone else and more than the British and Americans combined.  But this genius was cut down in its prime with the rise and subsequent fall of Adolf Hitler and his fascist Third Reich--a legacy of evil that has overshadowed the nation's contributions every since.

Yet how did the Germans achieve their preeminence beginning in the mid-eighteenth century? In this absorbing cultural history, Peter Watson goes back through time to explore the origins of the German genius, how it flourished, and how it continues to shape our world. As he convincingly demonstrates, while we may hold other European cultures in higher esteem, it was German thinking--from Bach to Nietzsche to Freud--that actually shaped modern America and Britain in ways that resonate today. 

(HarperCollins, July 2010)